Do you feel reality is catching up and even overtaking you?ĭefinitely, especially in the cryptocurrency conversation. You were one of the earliest artists to experiment with blockchain. Some people have interpreted my position as a little bit ambiguous. All of this is magnified by the NFTs – now you can see all the time who it belongs to. You are that person who’s smart enough to signal that that’s the important artwork to have. If I have a Picasso and you have a Picasso, it’s very different which one we have and it matters a lot in terms of the value.Īrt was always about displaying affiliation with something and showing that you like it – showing that you like it so much, that you also own it, that you have the economic power to do so. You now can make a unique collectible thing, which can go up and down in value within the token itself. But in the last couple of years there has been an innovation on the Ethereum platform. It’s like if I have a dollar note and you have a dollar note, it doesn’t matter which one we have. Most cryptocurrencies like Bitcoin and Ethereum are based on a money type system, each token is interchangeable. Can you explain the logic – and the technology – behind this phenomenon? The NFT “Everydays: The First 5000 Years” just fetched a staggering 69 million dollars at a Christie’s auction. If I have a Picasso and you have a Picasso, it’s very different which one we have and it matters a lot in terms of the value. I am trying to adapt part of my show in New York to make sure that I can include NFTs. It is a new form of crypto art, based on the blockchain, and it has been getting a lot of market share and attention. I am quite fascinated by the NFT phenomenon. His current exhibition, "Mine", at Gallery Petzel, New York is on display until the 15th of May 2021. His explorative search for moments of change is very much akin to our thinking about transformation. He combines technological elements like blockchain with a deep reflection on our digitalized world in general and on climate change in particular. In his works, encompassing installations, sculpture, print and video, Simon Denny deals with the social and political implications of the technology industry.
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